Decoys, Complexes, and Triggers: Feminism and Land Art in the 1970s is organized by guest curator Catherine Morris and on view at SculptureCenter May 4--July 28, 2008.

This exhibition focuses on work by women artists who made significant contributions to the development of sculptural practice in the 1970s. They explored the formal constructs of Post-Minimalism: altering notions of sculptural scale, introducing non-traditional mediums, as well as adapting unusual landscape and interior sites.