Closed for installation, Fiona Connor, SculptureCenter, #4
Closed for installation, Fiona Connor, SculptureCenter, #4Apr 29–Jul 29, 2019









Fiona Connor, Closed for installation, 2019, detail, Closed for installation, Fiona Connor, SculptureCenter, #4, SculptureCenter, New York, 2019. Bronze. Dimensions variable. Courtesy the artist, 1301PE, Los Angeles, and Hopkinson Mossman, Wellington. Photo: Kyle Knodell
Sponsors
Closed for installation, Fiona Connor, SculptureCenter, #4 is underwritten by Valeria Napoleone XX SculptureCenter (VNXXSC).
Additional support provided by Creative New Zealand and Plaxall, Inc.
Lead underwriting support of SculptureCenter’s Exhibition Fund has been generously provided by the Kraus Family Foundation with major support by Robert Soros and additional support by Toby Devan Lewis.
SculptureCenter’s programs and operating support is provided by the Lambent Foundation Fund of Tides Foundation; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; the National Endowment for the Arts; Danielle and Drew Anderman; Andreas Beroutsos and Abigail Hirschhorn; Irene and Allen Brill; Laren C. and Jesse M. Brill; Lee and Robert K. Elliott; Elizabeth and Adrian Ellis; Fred Wilson; the A. Woodner Fund; New York City Council Member Jimmy Van Bramer; and contributions from our Board of Trustees and Director’s Circle. Additional funding is provided by the Milton and Sally Avery Arts Foundation and contributions from many generous individuals.
About Valeria Napoleone XX SculptureCenter
Valeria Napoleone XX SculptureCenter (VNXXSC) is an ongoing initiative that supports the production of a major artwork by a female artist in a selected exhibition at SculptureCenter. This initiative was launched in September 2015 with the commission of Project for door (After Gaetano Pesce), 2015, the centerpiece of the exhibition Anthea Hamilton: Lichen! Libido! Chastity! for which Anthea Hamilton received the nomination to the Turner Prize 2016. Now in its fourth year, the initiative’s most recent commission was The Maid, 2018, a large-scale, 2-channel video work central to the exhibition Carissa Rodriguez: The Maid.