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    In Practice: Other Objects

    In Practice: Other Objects

    Jan 14–Mar 25, 2019

    Natalie Ball, Takming Chuang, Niloufar Emamifar, LaMont Hamilton, Ariel René Jackson, Katherine Simóne Reynolds, Aliza Shvarts, Rosa Sijben and David Bernstein, Sara Stern, Kenneth Tam, and Kiyan Williams
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    In Practice: Other Objects presents new work by eleven artists and artist teams that probes the slippages and interplay between objecthood and personhood. From personal belongings to material evidence, sites of memory, and revisionist fantasies, the artists in Other Objects highlight curious and ecstatic moments in which a body becomes a thing or a thing stands in for a body.

    The works in the exhibition address the capacity for objects — personal, collective, ambiguous, or arbitrary — to assume the body’s agency to testify about experience, recollect the past, mediate intimacy, and move politically. Rather than understanding the body as a stable figure or coherent whole, Other Objects proposes the body, and therefore the person, as a fluid and fragmentary medium — one materially contingent upon the objects with which it shares space.

    Recurring throughout the artists’ works is a concern for how the oscillation between body and thing demands a revised understanding of both. The works in Other Objects attend to other categories of objects, and objects of the Other, which trouble the limits of personhood and reveal our dependence on objects to enact collectivity, forge intimacy, challenge the visual, and spur new political imaginaries. While seemingly passive, inanimate, and silent, objects stir with the ability to agitate, speak, remember, and rebel. They serve as surrogates for bodies denied social agency and as talismans for playful and radical reimaginings of the present.

    The exhibition features newly commissioned works by: Natalie Ball, Takming Chuang, Niloufar Emamifar, LaMont Hamilton, Ariel René Jackson, Katherine Simóne Reynolds, Aliza Shvarts, Rosa Sijben and David Bernstein, Sara Stern, Kenneth Tam, and Kiyan Williams and is curated by Gee Wesley, SculptureCenter's 2019 In Practice Curatorial Fellow.

    About In Practice
    The In Practice open call program supports emerging artists and curators in creating new work for exhibition at SculptureCenter. Since 2003, In Practice has supported nearly 200 emerging artists with the essential resources of space, funding, time, and administrative support to help turn their ideas into reality. Exemplifying the spirit of SculptureCenter's mission, In Practice provides new ways to discover the most innovative artwork, foster experimentation, and give participants the opportunity to develop and present work in what is often their first institutional exhibition in New York City.

    Past In Practice participants include: Korakrit Arunanondchai, Fia Backström, A.K. Burns, Crystal Z Campbell, Aleksandra Domanović Brendan Fernandes, Raque Ford, Jules Gimbrone, Samara Golden, Ellen Harvey, Madeline Hollander, Elizabeth Jaeger, Meredith James, Baseera Khan, Simone Leigh, Molly Lowe, Justin Matherly, Virginia Overton, Essex Olivares, Marlo Pascual, Sean Raspet, Rachel Rose, Xaviera Simmons, Josh Smith, Valerie Snobeck, Agathe Snow, Marianne Vitale, and Jon Wang, among many others.

    Sponsors

    Lead underwriting support of SculptureCenter’s Exhibition Fund has been generously provided by the Kraus Family Foundation with major support by Robert Soros.

    The In Practice program is supported in part by an award from the National Endowment for the Arts and The Pollock-Krasner Foundation. Additional gifts by Andreas Beroutsos, Alex Bilboa, Lewis Canfield, William Cotton, Joan Davidson, Henrique Cesar de Castro, Dorinda Elliott, Dennis Freedman, Saskia Friedrich, Aurelien Jehan, Diana King, Andre LaFontaine, Maximilien Moris, Nazhand Art and Culture LLC, Sheri Pasquarella, Lowell Pettit, Robert Pruzan, Herbert Sambol, and Miyoung Lee Simpkins and Neil Simpkins.

    SculptureCenter’s programs and operating support is provided by the Lambent Foundation Fund of Tides Foundation; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; the National Endowment for the Arts; the A. Woodner Fund; Charlotte Feng Ford; New York City Council Member Jimmy Van Bramer; and contributions from our Board of Trustees and Director’s Circle. Additional funding is provided by the Milton and Sally Avery Arts Foundation and contributions from many generous individuals.